Twelve standout country albums that turn 30 this year

As a lifelong fan of country music, I can confidently say that these three albums have left an indelible mark on my musical journey. Reba McEntire’s “Form My Mind” was a game-changer for me; her boldness and resilience in the face of criticism resonated deeply. The dynamic blend of heartbreak, fun, and strength in this album made it a standout for me during those formative years.

If you believe the cultural conflicts within the American country music scene in 2024 are recent developments, you might be overlooking its history. For years, tensions have been brewing regarding the definition of country music.

Today, it’s striking how equally balanced the two contrasting groups seem, which aligns perfectly with country music’s historic role as a symbol of numerous cultural disagreements in the United States. The nation is divided over a multitude of issues, and country music continues to serve as an indicator of these divisions.

1. In the 70’s, it was the rule-breakers challenging their authority in Nashville. In the ’90s, there were debates about belonging in country music, as people questioned whether one could be involved if they weren’t male or white. A decade after that, patriotism sparked the next big controversy. Then, a decade later, performing at a political party’s convention became a divisive issue within the country community.

The best country music had to offer in 1984

It’s clear that we’ll continue having discussions about what truly defines “real” country music and what makes it good. Yet, country music has shown its durability time and again, accommodating artists like Jason Aldean and Adeem, despite disagreements getting heated. Personally, I appreciate one more than the other, but I’m glad there’s space for both in this genre that’s constantly evolving to accommodate changing tastes and perspectives within the nation.

Hey y’all! As a long-time lover of country music, I can’t wait to share my take on the 12 best country albums that are celebrating their 30th birthday this year. You know, back in ’94, I was just starting to find my own identity, and this album really resonated with me. It’s amazing how an album from that era can still speak to us today, especially when it comes to the ongoing struggle for identity in country music. So buckle up and let’s take a trip down memory lane together as we count down these timeless classics!

In 1994, Tim McGraw’s second album, “Not a Moment Too Soon,” held the top spot on the country charts for over half the year. It was at the peak position during Easter and Christmas. However, it didn’t maintain this position uninterruptedly – other albums briefly took over, but when you look back at the entire year, Tim McGraw’s album had been the highest-ranking country album in the nation for more than half of the weeks in 1994.

As a gamer, I’ve got to be honest: this album didn’t really stand out for me. It had some catchy country-pop tunes and ordinary lyrics. Before we even knew what ‘anti-woke sentiment’ meant, it was already riding that wave. Don’t get me wrong, it’s not a bad album, but it’s nowhere near my personal top 12 favorites.

Rather than opting for one specific genre, I’m choosing a mix of classic and contemporary styles. Some selections on this list are deeply rooted in tradition, while others originate from the alt-country scene, which broadened the horizons of country music. Alt-country was innovative, but it wasn’t inherently superior to what had been created before. It simply introduced new sounds and themes, and that’s typically a positive change. However, the fundamental truth stays the same: if something is good, it’s good, and the specific sub-genre classification doesn’t hold much significance.

These are the best country music had to offer in 1994.

12. This is Me by Randy Travis

Since the departure of Willie and Waylon from Nashville, country music had not undergone such a significant transformation as it did in 1986. This transformation was spearheaded by three emerging artists – Steve Earle, Dwight Yoakum, and Randy Travis. Among these three, it was Randy Travis who was the most traditional and for a period of five years, he was also the most successful. However, after an impressive run in the late ’80s, his magic started to wane as we entered the ’90s. His 1993 album, Wind in the Wire, did not resonate with fans, leaving them questioning if he could regain his former prowess.

As a devoted fan, I must say that Randy Travis’s album, “This is Me“, brought back my trust in authentic country music. The opening track, “Honky Tonk Side of Town,” set the tone for an electrifying start. He continued with some strong ballads where his experienced and comforting voice shone brightly on heartfelt numbers like “Whisper My Name” and “The Box.”

11. Viva Luckenbach! by Jerry Jeff Walker

Jerry Jeff Walker was a talented songwriter in the early ’70s, hailing from upstate New York. However, he found himself drawn to the music of Texas and eventually decided to trade his native land for the Lone Star State. He played a significant role in the emergence of outlaw country music, being one of the key figures at its birth. In 1973, Jerry Jeff and his band, Lost Gonzo, performed live in Luckenbach, Texas – a town known for its association with the Outlaws – and recorded the album “Viva Terlingua!”, which was a mix of live and studio tracks.

20 years have passed since he originally explored the idea for “Viva Luckenbach!”, and now, it’s a lively live recording that exudes a laid-back vibe. It’s as enjoyable an album as they come, filled with a strong dose of nostalgia and catchy tunes. Jerry Jeff may not have been the most exceptional singer, but he had a knack for composing wonderful songs, much like how the sun rises every morning. By the time he performs “Movin’ On” at the end, you feel that you’ve received more than what you paid for.

10. When Fallen Angles Fall When Fallen Angles Fall by Patty Loveless

In the ’80s and ’90s, other female singers may have had greater commercial success than Patty Loveless, however, for her devoted fans, she was undeniably the genuine voice of traditional country music as we approached the new millennium. Her tunes were infectious, and they occasionally incorporated a touch of modernity, but there’s no hint of pop on her album “When Fallen Angels Fly“. It’s all about pure country music.

She opens with the twangy “A Handful of Dust before carving out a sentimental corner with the gorgeous title track, written by Billy Joe Shaver. She doubles down with the stunning “You Don’t Even Know Who I Am” by Gretchen Peters.

However, Loveless switches gears to some bluesy tunes, playing “Feelin’ Good About Feelin’ Bad,” written by her spouse, and gets rockin’ with “I Try to Think About Elvis,” penned by Gary Burr. Across the ten tracks on this album, she proves her versatility without compromising an ounce of quality.

9. Songs for the Daily Planet by Todd Snider

Back in my Nashville beginning, I, Todd Snider, was running errands for the legendary John Prine. Some of his magic undeniably seeped into me. My debut album might not have garnered much initial attention, but discerning fans swiftly noticed a perceptive wordsmith with a sly sense of humor. With my distinctive, slightly whiny voice, I delivered my quirky songs with a knowing smirk. Kicking off the first track – “My Generation (Pt. 2) – I shout out “My generation, Part two – Verse three – Chapter four – Jackson five – Nikki SIxx!” And we’re underway.

That first song is a satiric takedown of his own peers. But he can turn his eyes to his greedy elders on “This Land is Our Land.” Snider’s political leanings are obvious, but he is so funny that even those on the other side can’t help but sing along. The best song on his first album – “Alright Guy” – is a brilliant depiction of a bewildered young slacker who can’t figure out why watching porn and getting high somehow makes him a pariah in a society capable of so much worse.

Although it may seem like Snider is merely a comedian with a guitar, he’s capable of delivering the poignant emotion in “You Think You Know Somebody.” By 1994, Snider had already debuted his work, while Lyle Lovett released his album I Love Everybody, which contained songs penned during Lovett’s 20s. Despite being a more established artist back then and still thriving today, Lovett’s 1994 collection couldn’t rival Snider’s that year.

8. Loco Gringo’s Lament by Ray Wylie Hubbard

Similar to Jerry Jeff Walker, Ray Wylie Hubbard primarily identified as a songwriter. His breakthrough came with the composition “Up Against the Wall Redneck Mothers,” which gained popularity when Jerry Jeff recorded it in 1973. A decade later, Hubbard began recording his own music, but he didn’t reach major label success. However, he has consistently released robust albums over several decades. One of his early standout works is the album Loco Gringo’s Lament, his sixth studio release.

The piece begins with a genuine sigh – the grand ballad “Dust of the Chase.” He sways (“Wanna Rock and Roll”) and becomes tender (“Bless the Hearts of the Lonely.”). He delves into the swampy (“Little Angel Comes a Walkin'”) and poetic (“The Messenger”). He shines most on “The Real Trick,” an extensive tale of understanding it all – as he sings ” The real trick is to find a reason to believe in all of this – And the big secret is, what you’re searching for, you’re looking with.” Ray remains vibrant well into his 70s, continuing to thrive.

7. What a Crying Shame by The Mavericks

In the heart of The Mavericks’ third album, titled “What a Crying Shame“, they unexpectedly include a cover of Bruce Springsteen’s “All That Heaven Will Allow”. They manage to give it a country-style twist, making it seem as if it were originally composed for the genre. The Mavericks can slow things down, showcased in the soft and melodious “Neon Blue”. However, they truly shine when delving into western swing. The country-infused “The Things You Said to Me” is an ideal rhythm for Raul Malo to deliver his soulful vocals.

Malo’s voice has often been likened to Roy Orbison’s, especially when you envision Orbison singing accompanied by fiddles and a pedal steel guitar. This gives an idea of his song “What a Crying Shame“. His blend of rock and pop that occasionally echoes the ’60s and even the ’50s can perplex listeners, as they struggle to categorize his music.

In the ’90s, genres like roots rock and Americana weren’t particularly popular. There was no Outlaw Country radio station to promote their music, so The Mavericks played to a devoted fanbase without ever achieving mainstream success. However, this changed over time, not because the band improved, but simply because they were already deserving of attention in 1994.

6. Boomtown by Toby Keith

Toby Keith’s complex role in contemporary country music might be overshadowing some of his finest work, and this could also hold true for his second album, “Boomtown“. The somber working-class ballad “Who’s That Man” is particularly strong, setting the overall theme. He then transitions to a rockier vibe with “Big Ol’ Truck”, but it’s the mid-tempo tracks such as “No Honor Among Thieves” and “You Ain’t Much Fun” that are more powerful songs.

Keith is equally capable of delivering heartfelt ballads, as evidenced by songs such as “Woman Behind the Man” and “Upstairs Downstairs.” These tunes are beautifully crafted and can spark debate about representation. Some may view them as intricate depictions of contemporary women, while others might interpret them as indications that a modern woman struggles to thrive independently.

If you can appreciate these songs individually, without the influence of the ongoing cultural conflict, then they are indeed strong compositions. However, it seems challenging to separate them from the current context. Nevertheless, the final track undoubtedly packs a punch, serving as a powerful conclusion.

5. The Great Dobro Sessions by various artists

Jerry Douglas and Tut Taylor, two exceptional resonator guitarists, collaborated to create this impressive collection of instrumentals. With 21 tracks spanning 74 minutes, it showcases some of the best resonator guitar talent in the country. At the age of 83 when the album was released (I’m unsure about the recording date), Bashful Brother Oswald contributes a straightforward, vintage-style piece with a hint of Hawaiian flavor titled “Dobro Chimes.” Josh Graves, a pioneer in the development of modern resonator sound, demonstrates his finger-picking skills on “Just Joshin’.”

On “Abilene Girl” and “Little Green Pill #2”, Douglas and Taylor both have their moments to shine. Rob Ickes, aged 27, joins forces with the 66-year-old Graves on “Scrapin’ the Barrel”, demonstrating that the dobro will continue to be expertly played for years to come. Lastly, Gene Wooten adds a smokin’ take on The Beatles’ “Day Tripper” to emphasize that the dobro is versatile enough to play virtually anything.

4. American Recordings by Johnny Cash

By 1994, Johnny Cash had already achieved legendary status, yet he hadn’t released any significant music in over a decade. However, producer Rick Rubin, known for kick-starting the careers of several early hip hop artists, saw potential in revitalizing Cash’s career. This led to the creation of the American Recordings series, which eventually spanned six albums. These records attracted numerous musicians who were eager to collaborate with Cash. However, for the first album, it was just Johnny – his guitar and his powerful voice that resonated so deeply with the public, leaving them yearning for more.

Cash performed a mix of self-composed tunes and well-loved pieces from artists such as Nick Lowe, Leonard Cohen, Tom Waits, and Loudon Wainwright. “Drive On,” a humorous reflection on life post-Vietnam, might have been created during his most iconic period. He infuses Glenn Danzig’s “Thirteen” with an inexpressible weight. Similarly, he imbues Leonard Cohen’s “Bird on a Wire” and brings joy to Jimmy Driftwood’s 1959 hit “Tennessee Stud.” Furthermore, he delves into gospel music with his Highwayman brother Kris Kristofferson’s “Why Me Lord.”

3. Read My Mind by Reba McEntire

Prior to her release of “Read My Mind“, Reba McEntire had already released 18 albums and was a well-established figure in country music. In the mid-’80s, she even won four consecutive CMA Female Vocalist of the Year awards. As the new year approached, Reba aimed for even greater success. However, some traditionalists criticized her new musical direction.

I was taken aback when they dismissed “Read My Mind” as a country album. It had an electric vibe, a pop sensibility, and a rock ‘n’ roll edge that seemed to defy traditional country music norms. Yet, female country singers have been exploring similar sounds for years without much backlash.

1. Reba appeared unconcerned, and neither did her followers. Yet, the double blows of “She Thinks His Name Was John” and “Why Aren’t You Calling Me Anymore” overpowered any opposition. The former was a poignant ballad – it being the first significant country song to tackle the AIDS epidemic. The latter was a lively romp through all the less serious traps love can lead us into.

These two songs receive significant backing, ranging from the country-pop rock vibe of “The Heart is a Lonely Hunter” to the intense power ballad “I Wish That I Could Tell You.” From the bluesy intro “Everything That You Want” to the climactic “Till You Love Me,” this album is a force to be reckoned with.

2. The Brooklyn Side by Bottle Rockets

Critics might have doubted Reba’s authenticity as a country artist, but her credibility remained unshaken. In contrast, Bottle Rockets and Uncle Tupelo were instrumental in the rise of the alternative country movement during the early ’90s. Tracks one and ten on their second album, titled “The Brooklyn Side“, showcased classic elements of traditional country music.

The opener, “Welfare Music” has acoustic guitar and fiddle, along with a twangy vocal. It also has a great country lyric – “It takes two to make three but one ain’t here.” The finale, “Queen of the World,” mentions Hank Williams in the very first line.

During their music, they intertwine genres, offering a blend that’s reminiscent of country roots in tracks such as “Gravity Falls” and the lively “Radar Gun.” However, these tunes also display a harder edge. A perfect example of this is the country blues number, “1,000 Dollar Car,” while they dabble with the Chuck Berry-esque “Take Me to the Bank” and the vintage rockabilly rhythm of “Idiot’s Revenge.” The song “Idiot’s Revenge” confronts the classification issue head-on, lyrically expressing confusion: “Well, she likes Dinosaur Jr. – But she can’t explain why – Says, ‘You like country music?’ – Man you deserve to die.”

In this same year, rock legends Dinosaur Jr were experimenting with a country-influenced sound in tracks like “Feel the Pain.” Notably, _The Brooklyn Side_ is filled with standout tunes and it paved the way for an unconventional style of country music. This innovative approach to country music has been a point of exploration for artists over the past three decades.

1. My Life by Iris Dement

Admittedly, I’m a big fan of Bottle Rockets’ alt-country sound. However, when it comes to songwriters and vocalists at the pinnacle of their craft like Iris Dement, traditional country music is tough to top. In my opinion, My Life isn’t just one of the best country albums from the 1990s; it’s one of the best albums across all genres. The emotional intensity of “Sweet in the Melody,” the poignant acceptance in “You’ve Done Nothing Wrong,” and the longing in “Calling For You” – these are merely three examples from this remarkable album.

The momentum does not let up through all ten tracks. Sweet nostalgia blends with emotional resilience. There are spirituals. There is a beautiful piano ballad – the title track which ends the album. Dement’s warm twang rings throughout every one of them.

She frequently collaborated with John Prine as his preferred duet partner, which speaks volumes about their musical compatibility. Since her debut in the ’90s, she’s occasionally released music, with some tracks being exceptional, while others have shown a slight inconsistency. However, on her album titled “My Life“, she was nothing short of flawless, delivering a perfect performance.

2024-08-19 13:01