The Cure ‘Songs of a Lost World’ review: The dark lords rise

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As a long-time Cure fan who grew up listening to their haunting melodies and dark lyricism, I can confidently say that the band has returned to form with their latest release, “Songs of a Lost World.” It’s been a long, bleak journey since the 80s, but this album is a testament to Robert Smith’s resilience and ability to create profound art even amidst personal tragedy.

In these challenging times, people are often swamped by internet bullies on social media and the pressure of their workweek. Regardless of who we are, we all grow older, and we can’t escape the awareness of our own mortality. Music becomes an essential solace during such moments, and The Cure was one of those bands that provided comfort in the late 1970s and throughout the 1980s. However, their performance dipped at a certain point.

In the ’90s, from “Wish” (1992) to “4:13 Dream” (2008), I found myself immersed in the music of a band that was all about packing their albums with as much content as possible. Sometimes this resulted in a bit of filler. Additionally, they just didn’t seem to gel with the grunge scene, even though the emotional depth of grunge was heavily influenced by Robert Smith. The melancholic vibe of the Cure was overshadowed by the aggressive sound of bands like Alice in Chains during that time.

The Cure underwent changes, and it could be debated that they veered off course somewhat. Some lightheartedness crept into their love songs, such as “Friday I’m in Love.” A catchy tune, but one that many other bands could also produce. Previously, Robert Smith and his bandmates stood out by resonating with those of us feeling lonely late on Friday nights when we were misunderstood. The song “Friday I’m in Love” seemed like the band was betraying that connection we shared.

The Cure release Songs of a Lost World, their best album since 1989

It seems that Smith may have required deep sorrow to re-emerge in his artistic journey, as he experienced significant loss during this period. His older brother passed away, along with several other family members. The band The Cure took no new albums from 2008 to 2024, but there was undeniably a great deal of pain experienced throughout those years.

In this new album titled “Songs of a Lost World,” I find an undeniable maturity from the band that resonates deeply with me. Unlike their previous work, there’s no unnecessary content; instead, it feels as though the end is drawing nearer than it was when they released “Pornography” in 1982. For those who hold the belief that profound sadness can birth extraordinary, inspiring art, this album is a testament to that truth.

This eight-track album is filled with moments that are well worth your attention. Adding more songs might have been overkill. Clocking in at just under an hour, it’s deliberately paced. The Cure draws you in, compelling you to listen, much like they did during those solitary Friday nights when you were fifteen. Now, as a 55-year-old, your connection to The Cure remains as strong as it ever was.

The song commences with “Alone,” and it isn’t until midway through that Smith’s legendary voice emerges. This tune would have seamlessly blended into their 1989 masterpiece, Disintegration. Given its quality, this album is undoubtedly the band’s finest work since that ’89 gem. The track exudes a somber and refined atmosphere – quintessential The Cure.

“Yet, Nothing Lasts Eternally” carries an air of sorrow that’s fitting. However, as the string ensemble swells toward the end, it manages to lift your gloom. The Cure had a knack for this – they were dark, but they knew just when to let some light break through.

The song ‘Warsong’ carries a strong social commentary that’s less common in most of their albums, leaving no room for ambiguity about Morrissey’s views. Musically, it’s one of the more intense tracks on the album, fitting its serious subject matter. The guitar work, layered with feedback, has a similar tone to the album ‘Pornography’.

The song ‘I Can Never Say Goodbye’ is a tribute to Smith’s late brother. Its lyrics resonate deeply with everyone, but it also underscores another unique ability Smith possesses.

In essence, the “Songs of a Lost World” album is not just about Smith; it’s a collective effort. Simon Gallup’s bass lines have a rhythm that fits perfectly, and Jason Cooper’s drums bring a rich depth to the slow burn. However, it’s clear that Robert Smith has always been the cornerstone of the group, and his talent shines brightly on this album.

Grade: 9 out of 10

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2024-11-05 19:00