In essence, if I were to compile a simple list of the songs that Leon Russell contributed to – as songwriter, producer, session musician, and performer – I would effortlessly surpass the nonexistent word limit in no time. To put it simply, this is a testament to how profoundly Claude Russell Bridges was integrated into the tapestry of American music during the 1960s, ’70s, and ’80s. He collaborated with numerous iconic artists who preceded him, while those who followed admired him greatly.
In the 1940s and ’50s, Russell hailed from Oklahoma as a child prodigy. Born with cerebral palsy, which resulted in persistent back issues and an impaired right hand, he astonishingly mastered both the piano and guitar at a young age. His classical piano training was influenced by his condition, leading him to chart a unique career course instead.
The ten best songs of Leon Russell
As a devoted admirer, I’d say Russell mastered the art of navigating diverse musical landscapes – from blues to rock, country to gospel, jazz, and beyond. Regardless of the genre, he was an exceptional chameleon with his virtuosity. He found an early nurturing ground among the Wrecking Crew, the legendary group of L.A. session players who were the backbone of every music genre in the ’60s. It was here where he honed his skills by contributing to recordings by musical legends such as Bing Crosby, Doris Day, and most notably, Frank Sinatra in 1965.
In another phrasing: Russell was not just a virtuoso pianist known for his distinctive left-handed, bluesy style, but he truly shone when he organized and led the band backing Joe Cocker during the iconic “Mad Dogs and Englishmen” tour in 1969. The live album produced from that tour, showcasing his talents as more than a skilled musician, came out a year later.
In the year 1970, he launched his self-titled debut album, which was the first of over thirty studio and live records he later produced – a record that came out following their earlier collaboration on “Look Inside the Asylum Choir” with Marc Benno. For this compilation, we’ll be focusing on ten standout tracks from those albums as well as others where Russell lent his talent. However, before I delve into the selection process, let me clarify what won’t be making the cut.
Russell was exceptionally talented in songwriting, and numerous well-known artists have recorded his compositions. However, I won’t discuss Russell’s own performances of songs like “Delta Lady” and “This Masquerade,” as I believe Cocker delivered “Delta Lady” more effectively, and George Benson improved “This Masquerade” with his jazz guitar playing a few years later.
In 1973, The Carpenters produced a somewhat typical cover of “This Masquerade.” However, two years prior, they delivered one of the most exceptional interpretations of a Leon Russell tune on record with “Superstar.” Approximately twenty years later, Sonic Youth unveiled their eerie adaptation of “Superstar,” underscoring the remarkable adaptability of a Leon Russell song.
The majority of tracks in this top ten list are original songs, but some are covers too. Unlike voices designed for mainstream appeal, Leon’s voice has been likened to a blend between Tom Waits and Moms Mabley. However, he sang with an intensity that defied description. Even those who might not consider his voice exceptional acknowledge its uniqueness. Personally, I believe it was both unique and exceptional.
In his renditions, he frequently reimagined tunes, turning them upside down. For instance, he sped up Tim Hardin’s “If I Were a Carpenter,” and applied the same treatment to Billy Joel (“New York State of Mind”) and the Rolling Stones (“Wild Horses”). However, when it came to Bob Dylan songs he covered, such as “The Ballad of Hollis Brown” or “A Hard Rain’s a-Gonna Fall,” he would slow things down. By the way, Leon was also responsible for producing Dylan’s second ‘Greatest Hits’ album, including the two original singles that Dylan recorded specifically for that release.
Alright then, let’s dive into the music. I might not be as eloquent as Leon, but his work speaks for itself.
Or in another way:
Moving on to the tunes now. Though I can’t claim to match Leon’s skill with words, his compositions are truly remarkable.
10. “Roll in My Sweet Baby’s Arms” from Hank Wilson’s Back, Vol 1 (1973)
Following four robust studio releases and assorted live performances and side projects, Leon decided to take on a fresh identity for his upcoming album. The moniker “Hank Wilson” seems fitting for a country musician, and indeed, this is the kind of music Leon delivered. Tracks by Hank Williams, Bill Monroe, and George Jones make up an impressive assortment of timeless country hits.
He initiated it all with a distinctive salute by Lester Flatt to the leisurely charm of romantic contentment, “Roll In My Sweet Baby’s Arms.” Initially, Leon plays more laid-back than Flatt & Scruggs, but once he reaches the second verse, everything – including banjo and fiddle – speeds up significantly. At times, Leon could delve into deep philosophical thoughts. However, in this instance, he is simply enjoying himself immensely.
9. “Come On In My Kitchen” from Life Journey (2014)
In 2011, Elton John honored Leon Russell at the Rock & Roll Hall of Fame, expressing that Leon had shown him a singing method he still employs today and that “Leon could outperform me effortlessly when it comes to piano skills.” Being a long-time admirer of Leon’s talent, Elton felt compelled in 2010 to remind everyone of Russell’s greatness as a musician. They collaborated on an album titled “The Union” and created a fresh tune named “If It Weren’t for Bad.
Instead, let me express it like this: I personally find Leon’s subsequent album titled “Life Journey” more appealing. He penned several powerful original tracks for it and even covered artists ranging from Hoagy Carmichael to Billy Joel. Kicking off with a fantastic rendition of Robert Johnson’s timeless blues song, this record showcases Leon’s voice in peak form, two years before his passing. By the way, it’s worth noting that Leon was deeply appreciative of Elton for reigniting his career and securing him a new tour bus.
8. “Crystal Closet Queen” from Leon Russell and the Shelter People (1971)
In 1969, Leon teamed up with his producing companion, Danny Cordell, to establish Shelter Records. This label released music by artists like Tom Petty, Freddie King, J.J. Cale, Bob Marley, and many others. Notably, Shelter was the platform for Leon’s initial solo albums as well. The song featured here is from one of those albums, a lively tribute to “the rock and roll queen in her purest form,” Little Richard. This tune is an exhilarating blend of boogie-woogie and gospel, two significant influences that contribute to the unique Leon Russell sound.
7. “Alcatraz” from Leon Russell and the Shelton People (1971)
This album has a distinct feel to it – it’s raw blues rock. Leon himself could have composed, performed, and sung it. However, Eric Clapton lends his expertise on the guitar. The song would be a crowd pleaser at Leon’s energetic concerts, as heard in Leon Live a few years down the line. Yet, I find the studio version of this track more appealing.
6. “Roll Away the Stone” from Leon Russell (1970)
On his first album’s closing number, he expresses a sense of living in an unusual world. “What a peculiar world I inhabit,” is the introductory verse. It turns out that some renowned musicians joined him on this track. Eric Clapton lends his guitar skills. Stevie Winwood handles the keys. The dynamic rhythm section, sourced from the most celebrated rock & roll band globally, consists of Bill Wyman and Charlie Watts. Notably, Leon is contributing to both piano and vocals for a compelling performance on his debut album. Quite impressive!
5. “Magic Mirror” from Carney (1972)
This subsequent album’s last song showcases a distinctive piano rhythm by Leon Russell, a hard act to follow. It blends blues and jazz in an offbeat tempo, creating the perfect backdrop for one of Leon’s most introspective and philosophical tunes.
He ponders over the different views others have about him, clinging tightly to his personal identity amidst these diverse perspectives. It’s quite overwhelming, as he grapples with labels like: “The sellers see me as merchandise to be sold cheaply, The left-wing people think I’m on their side, and the right-wing people believe I’m wrong.
4. “Jumpin’ Jack Flash/Youngblood” from The Concert for Bangladesh (1971)
George Harrison organized a charity concert aimed at helping refugees fleeing from war-torn regions. He managed to gather artists like Bob Dylan, Ringo Starr, Billy Preston, Ravi Shankar, and many more to take part in the event. Leading the band, George delivered an electrifying nine-minute medley that included songs made famous by The Rolling Stones and a collaboration between Jerry Leiber and Mike Stoller, which had been previously popularized by the Coasters.
Previously noted, Leon delivered numerous exceptional live shows, some of which were preserved on recording. Among them all, this one stands out as the finest. He truly shines in his performances with The Rolling Stones and offers a deeply soulful interpretation of Stoller and Lieber’s work that I am familiar with.
3. “Stranger in a Strange Land” from Leon Russell and the Shelter People (1971)
For how long have I been alive – When will my time run out – Can you think of any jokes to lighten the mood – Or am I only skilled at bringing tears – As a child explores his surroundings, it’s heartwarming to watch – A delightful sight indeed – He confides a humble truth with an old sage – A stranger wandering in a foreign world.” This is how Leon introduces his second album. Contrary to popular belief, this isn’t a collaboration featuring Leon and his well-known acquaintances.
As a devoted fan, I can’t help but marvel at the timeless magic of Leon Russell’s band – Don Preston on keyboards and co-writing, Carl Radle on the bass, Chuck Blackwell on drums, and the soulful, gospel-infused backing vocals by Claudia Lennear, who was once a part of Ikettes. Even in 1971, Leon’s sermon at the end seemed to resonate powerfully, perhaps even more so today.
2. “Tight Rope” from Carney (1972)
Leon’s most successful commercial release, “Tight Rope,” peaked at number 11 on the US charts. His other significant hit within the top 20 was “Lady Blue” from the album “Will O’ The Wisp” in 1975. As a teenager, Leon admitted to playing so much music that he would often doze off during English class. It didn’t appear to have any adverse effects on him.
As a gamer, I’d say: The way he weaves his words, using a high-wire act as a symbol for life’s trials, is some of the finest poetry I’ve encountered. “I’m balancing on a tightrope – One side’s frozen with fear, the other blazing with passion – It’s a game of survival between you and me, and here I am, walking the tightrope – One side’s shrouded in hostility, the other brimming with optimism – Yet all you notice is my top hat.
He counterbalances the atmosphere with slightly askew carnival-like music, enhancing the feeling of peril in ordinary situations. His classical roots are evident as he incorporates a somewhat tipsy rendition of Julius Fucik’s piece into the bridge.
1. “A Song for You” from Leon Russell (1970)
This song was the opening track from his debut solo album, and without a doubt, it’s one of the most heartfelt, enchanting love ballads ever penned. Donny Hathaway delivered a poignant, yearning interpretation. Amy Winehouse gave it a powerful, assertive rendition. Willie Nelson stripped it down to its essence.
Whitney Houston showcased her exceptional vocal acrobatics, while Ray Charles earned a Grammy for his deeply soulful performance. They were undoubtedly some of the most influential figures in the industry. However, none surpassed the man who composed it. Leon’s vocals exude an unparalleled level of passion and intimacy.
2016 marked the year I lost a cherished artist whose songs had always been my solace. Despite his lifelong health battles, he bravely underwent brain surgery in 2010. Miraculously, he made a comeback and gifted us with more timeless pieces, thanks in large part to the unwavering support of Elton John. At 74, a sudden heart attack claimed his life. His demise was mourned by many, yet no one could express our shared feelings quite like he did – “When my journey ends, remember when we were together, alone and I was singing my song for you.
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2025-01-25 16:54