Five fantastic songs from the 1970s that don't get played enough

As a child of the ’70s, these songs take me back to a time when music was raw, energetic, and full of character. Each one transports me to a different corner of that decade, where the music scene buzzed with innovation and creativity.

Reflecting on the articles I’ve penned so far, it’s clear that I hold a deep affection for ’70s music. The diversity in genres and styles during that era was truly remarkable. For me, it served as a soundtrack to my teenage years, expanding my horizons and offering an enriching journey of discovery.

It’s not surprising that I continue to cherish listening to the music from those times. In the United Kingdom, BBC Radio 2 broadcasts a weekly show called Sound Of The 70s, hosted by Johnnie Walker who has been spinning records for decades, including stints with pirate radio in the UK and a period in California during the 1970s. If you can tune in online from wherever you are, it’s an outstanding weekly segment showcasing the vast array of music that decade provided.

Two specific tracks from this week’s broadcast transported me back to an era long past. Both are outstanding tunes that were incredibly popular during their time. Although they remain well-known, it had been quite some time since I heard either of them played. Hearing them again was like rediscovering a cherished item or slipping into a familiar spot – an absolute joy.

Five fantastic 1970s songs that need playing more

That made me think about other songs from the 1970s that used to get a lot of plays but are barely heard now. Maybe it’s different in the US, or if you listen to very specialist radio stations. Perhaps they feature more often than I hear them or realize. I’ve now added a few more to my favourite streaming playlists where they will pop up more often. Let me share five of those great 1970s songs I haven’t heard for a long time with you now. See if you want to add any to your favorites.

Wishbone Ash – “Blowing Free”

This song showcases an impressive rock tone that harks back to the pioneering style of Wishbone Ash, who were among the early bands to popularize twin lead guitar sounds. For me, there’s a distinct Southern Rock vibe in this track, but it might surprise you to know that the band actually originated from Devon, located in the South West of England. The rhythm is built around a blues shuffle and was inspired by The Steve Miller Band and “Children Of The Future”.

“The song ‘Blowing Free’ hails from their remarkable 1972 album titled Argus. Over the years, it has emerged as one of their most popular tracks, even though they produced many other fantastic pieces. The track starts with a powerful riff and features the dual guitars of Ted Turner and Andy Powell. According to Powell, Steely Dan and Thin Lizzy borrowed a similar intro style for ‘Reelin’ In The Years’ and ‘The Boys Are Back In Town’. Give Wishbone Ash a listen and see if you concur with this assessment.”

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Genesis – “I Know What I Like (In Your Wardrobe)”

Now there’s a title for a song! And what a great song it is. If you know early Genesis, you’ll know this one well. But when did you last hear it played on air? This was the second song I heard on the radio this week as mentioned above. It suited their artistic and imaginative style as a band and was their first charting single in the UK, reaching number 21 in April 1973.

The song you’re referring to appeared in the group’s fifth studio release titled “Selling England by the Pound,” which dropped a year prior. The composition was attributed to all five band members, with most of the lyrics penned by Peter Gabriel. It is said that he drew inspiration for these lyrics from a painting created by Betty Swanwick. A modified version of this artwork graces the cover of the album.

1. The tune is oddly catchy, starting with its spoken introduction and thought-provoking verses. The song’s narrative revolves around a character named Jacob, who enjoys his simple life as he mows the grass, accompanied by the hum of a lawnmower at either end. It incorporates traditional Genesis motifs along with Gabriel’s distinctive voice. The track features precise drumming and tight percussion, combined with swirling guitar riffs, keyboards, and harmonious melodies, all seamlessly blended together beautifully.

Mott The Hoople – “All The Way To Memphis”

If you judged their success solely by the number of times their songs were played on the radio, you might conclude that Mott The Hoople are a one-hit wonder with “All The Young Dudes”. However, they actually composed many more remarkable songs, but unfortunately, none of them have been played nearly as frequently as this hit single from David Bowie’s songwriting.

Beginning with the unique keyboard melody, Ian Hunter seamlessly blends singing and speaking, displaying a Bowie-esque sound in parts. Throw in some captivating saxophone solos, an infectious chorus, and a powerful guitar finale, and you’ve got an outstanding song that’s perfect for joining in when it’s played.

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Nazareth – “Bad, Bad Boy”

The rock band Nazareth, fronted by vocalist Dan McCafferty, deserves more radio play everywhere. It’s been some time since I’ve heard any of their hard-hitting rock songs played, not even the ballad “Love Hurts”. However, when I think about Nazareth, the song that immediately comes to mind is “Bad Bad Boy”.

Originally unveiled in 1973 as part of their third studio album named “Razamanaz”, this track was expertly crafted by Roger Glover, who is Deep Purple’s bassist. The tune kicks off with an impressive guitar riff before diving into a mix of bluesy boogie rock and powerful vocals by McCafferty, incorporating some spoken passages as well. The song maintains its energetic vibe throughout, intensifying towards the end with a key change that harmoniously complements McCafferty’s voice. What a fantastic tune – I can’t believe it took so long to discover!

Focus – “Sylvia”

In another twist of fame, the Dutch band Focus gained significant recognition, not just in the UK, but worldwide, following their appearance on BBC TV’s “The Old Grey Whistle Test” in December 1972. Their song “Sylvia,” initially released as a single in Holland in April of that year, experienced a surge in popularity after this television performance. This led to the song being released in the UK in January 1973, with urgent and late vinyl production to cater to the overwhelming demand.

In the UK, “Focus 4” ranked as the top single, and it reached number 89 in the US. This was Focus’s biggest hit song. The guitar skills of Jan Akkerman, particularly his intricate playing, were highly appreciated by fans. His performances on the Hammond organ alongside Thijs van Leer were exceptional. Van Leer seldom sang vocals on this instrumental masterpiece, but in their subsequent hit “Hocus Pocus,” he showcased full-blown yodeling. Two other songs from their repertoire that I’ve discovered I’ve been missing out on are also worth mentioning.

2024-08-29 13:00

Five fantastic songs from the 1970s that don’t get played enough