Music

Back in the groovy ’60s, Motown had this amazing quartet called the Four Tops, and I was totally in awe of them. The group was made up of Levi Stubbs, Obie Benson, Lawrence Payton, and Duke Fakir. Their music was irresistible, and they churned out chart-toppers like “Baby I Need Your Loving,” “I Can’t Help Myself (Sugar Pie Honey Bunch),” “It’s the Same Old Song,” and “Reach Out I’ll Be There.” Each note they sang took me on a magical journey!

To put it simply, Lamb of God is celebrating the 20th anniversary of their album “Ashes of the Wake” in a big way. They’re teaming up with Mastodon for a co-headlining tour named “Ashes of Leviathan,” and they also have plans to release a major reissue of the original album.

The person managing Snoop Dogg’s public relations is deserving of a significant pay increase. It’s amazing how the legendary rapper seems to be involved in almost everything under the sun, leaving us in awe. This will also extend to the Olympics in Paris over the next few weeks.

Motown significantly enriched the American music library with hits like “My Girl” and “The Tracks of My Tears.” These tunes, alongside numerous others, have earned enduring popularity. Given Motown’s reputation for exceptional songwriting, this success is hardly unexpected. Berry Gordy, its founder, first gained recognition writing songs for R&B legend Jackie Wilson.

As a longtime fan of Bob Dylan’s music, I can’t help but be excited about the sixth studio album he released back in the day – “Highway 61 Revisited.” This album holds a special place in my heart because it was during this period that Dylan truly came into his own as a master storyteller and musical innovator. The title track, in particular, is a personal favorite, with its haunting lyrics and raw, electric sound that captivated me the very first time I heard it. For anyone who wants to understand the evolution of Dylan’s music and its impact on popular culture, “Highway 61 Revisited” is an essential listen.

As a child of the 1980s, I can vividly remember the electric energy that permeated the airwaves during the groundbreaking year of 1984. The Rock & Roll Hall of Fame’s latest exhibit takes me on a nostalgic journey back to those halcyon days, bringing to life the iconic moments and cultural milestones that left an indelible mark on music history. I can’t wait to explore this treasure trove of artifacts and relive the excitement of that transformative era.

Some album covers have been disturbingly unpleasant to look at. However, it’s unfortunate when poor taste comes into play, as album covers hold the potential to be artistic masterpieces. They not only serve to promote a band but can also become enduring symbols that resonate for generations.

On January 25, 1980, BET debuted as a television program dedicated to African American culture. Over the years, it has expanded to include various shows, specials, and award ceremonies. During that time, there were few platforms, like MTV, that catered to the African American audience. Thus, BET became an essential outlet for African Americans to express their voices and perspectives.

During the 1970s, live albums experienced significant growth with numerous exceptional examples being produced. This decade holds a strong contention for the title of best live album era. The 1980s continued this trend, and by the 1990s, we were still witnessing many impressive live albums being released. However, it’s important to note that there were also several subpar live albums from this period.

In the depths of Obscurity, Bob Geldof unveiled his initial solo effort, titled “Deep in the Heart of Nowhere” back in 1986. Following the disbandment of his former group, The Boomtown Rats, Geldof struck out on his own and produced this album as his first solo project. While it didn’t make a significant impact on listeners at the time, “Deep in the Heart of Nowhere” was released on November 24, 1986 – coincidentally sharing a release date with Eric Clapton’s album “August” where they collaborated.