Tyshawn Jones Slaps Supreme With $26 Million USD Defamation Lawsuit

In the lawsuit filed on May 12th in Manhattan’s Supreme Court, Jones is asking for $25 million in damages plus $1.25 million he claims was owed from his original deal with the brand. The lengthy complaint alleges that after working with Supreme for 13 years starting at age 11, the partnership ended last September, which happened to be just before Supreme was acquired by Luxottica. Supreme argues that Jones violated the contract by wearing Marc Jacobs in a photoshoot in August 2024, even though he had also modeled for other high-profile brands such as Louis Vuitton, Balenciaga, and Tiffany & Co. from 2022. However, Jones contends that he was open about his other brand campaigns and claims that Supreme executives did not voice any concerns.

‘F1® The Movie’ Unveils Thrilling New Trailer With Brad Pitt at the Wheel

Following the unveiling of the F1® The Movie official teaser a month ago, Warner Bros. is further building excitement for the film by releasing a brand-new extended trailer. While the initial sneak peek was centered around dramatic clashes and pulse-pounding action in the high-tension Formula 1 racing environment, the new promotional material takes a more emotionally-charged approach.

Équipement De Vie Puts Sailors at the Forefront

2025’s flagship designs from EDV are engineered for stability against slippage and tumultuous sea waves, seamlessly blending ocean-wide navigation with flexible athletic silhouettes. The initial collection features four pairs, each available in subtle colorways to complement your versatile sailing apparel, marking the brand’s first step onto the fashion stage.

The Hunting Party tracks down a season 2 renewal at NBC

In “The Hunting Party,” the bond between the main characters is crucial for maintaining realism for the viewers, as the antagonists they pursue carry out violent and unsettling acts. Unlike the first season, it didn’t delve much into the personal lives and relationships of these characters beyond their work dynamics and storylines directly connected to their professional plots. The first season ends with Oliver in a dire condition, implying that his fate – whether death or survival – will be unveiled in the second season. With their dismissal from work at the end of season one, the upcoming season offers an opportunity for further exploration of these relationships.

Awake NY and Barriers Worldwide Fashion the American Experience

This line offers two hoodie designs and T-shirt concepts. Notably, the “Flag” t-shirt showcases an artwork that symbolizes the “multifaceted reality of being American,” representing both the joy of diversity and the struggles inherent in it. Meanwhile, the hoodies bear “Live Free” insignias, seamlessly blending both brands’ symbols with uplifting phrases – “A Beacon Leading Us Towards Love” – on their backsides.

Thunderbolts* and Sinners lead the Mother’s Day 2025 box office

After the Phase Four releases of the Marvel Cinematic Universe (MCU), it’s become common for films to experience over 60% decline in their opening weekends. For instance, movies like “Captain America: Brave New World” and “Ant-Man and the Wasp: Quantumania” dropped nearly 70%. Fortunately, a 55% drop is good news for “Thunderbolts,” indicating positive audience reception. Interestingly, “Thunderbolts” has managed to match the domestic earnings of films like “Guardians of the Galaxy Vol. 2” and “Thor: Ragnarok,” currently standing at $128.4 million. If it can hold its ground during a highly competitive Memorial Day weekend, it’s likely to surpass $200 million. While this is not the massive domestic lifetime earnings typically achieved by first-weekend-of-May MCU films, it’s still a decent performance for a film featuring relatively unknown anti-heroes. Additionally, “Thunderbolts” has now surpassed the domestic earnings of “Captain America: Brave New World,” which seemed impossible just a year ago.

6 iconic R&B/Soul songs that shaped the sound of the 1970s

In various directions, the music genre expanded, led by rock ‘n’ roll and soul tunes that held sway throughout the 1960s. The record labels associated with these artists generally pursued mainstream popularity, softening the rawer, more authentic aspects, ensuring the love songs remained sugary-sweet and devoid of complexity, while keeping politics out of sight. However, by the close of the 1960s, this approach started to crumble under pressure.