TWISTERS’ Stars and Tornadoes Overcome Its Flaws To Spin Up an Entertaining Film

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As a long-time gamer and movie enthusiast, I went into “Twisters” with a mix of excitement and apprehension. Having grown up watching the original 1996 film, my expectations were high, especially after seeing its captivating trailers. I’ve experienced the rollercoaster ride of anticipation before, only to be disappointed. But “Twisters” managed to exceed my hopes and deliver a thrilling, emotional journey that left me satisfied yet yearning for more.

As a huge fan of the original “Twister” from 1996, I went into the theater with both excitement and high expectations for the sequel. With fond memories of the first film and its captivating previews, I was ready for an unforgettable cinematic experience. However, carrying the weight of these lofty anticipations is no easy feat. The movie had a lot to live up to.

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The screenplay for “Twisters” can be amusingly genuine at times, emotionally affecting in others, and disappointingly poor in parts. Certain sequences, such as the climax, appear unexpectedly, giving the impression that director Lee Isaac Chung neglected to include essential scenes. Like a sudden tornado, these structural flaws wreak havoc on the narrative. At times, the film feels more like an assortment of disconnected scenes than a well-crafted tale.

The film has some instances where the silliness shifts from enjoyable to distracting. In certain parts, the audience in my crowded theater chuckled at unintended comedic moments or implausible plot twists. One such moment involved a crucial conflict between good and evil characters, which was less than optimal. These mishaps are particularly disappointing since there are scenes where “Twisters” shines brilliantly, demonstrating its potential to overcome these errors.

One issue with the film “Twister” is its failure to fully capture the essential group dynamic from the original movie. The characters don’t feel well-developed, leaving us lacking a deep understanding of their individual identities or friendships. It’s not a terrible or poorly executed movie; it simply falls short in this particular aspect, making the group dynamics seem incomplete even as we watch the story unfold.

The movie starts off with an engaging opening scene that is rather foreseeable, but it takes some time before it gains momentum. Luckily, the pace quickens when Glen Powell’s charismatic and flamboyant storm chaser character, Tyler Owens, enters the scene. Powell exudes an abundance of charm and swagger, making him a natural leading man and an ideal addition to the Twister franchise. His performance embodies the franchise’s essence perfectly. Powell is both entertaining and amusing, with a bold and intelligent demeanor, as well as a vulnerable side.

What—or rather who—really makes Powell shine is his co-star, Daisy Edgar-Jones. She carries the emotional weight of the film that is a big part of why the movie works. An even bigger reason it does is their off-the-charts onscreen chemistry. They’re excellent every single time they’re together and elevate the movie past its issues. Powell and Edgar-Jones as a duo are easily my favorite part of the film.

Anthony Ramas, portraying the third pivotal character in “Twisters,” isn’t overshadowed by his co-stars. As an old friend of Kate’s tornado whisperer, Edgar-Jones, he presents her with a compelling new opportunity that advances the storyline. Ramas delivers a nuanced performance that prevents Javi from becoming a mere afterthought or plot device. His character development adds depth to the film’s exploration of what motivates these individuals. A weaker portrayal would detract from “Twisters,” but instead, Ramas’ acting elevates the production alongside Powell and Edgar-Jones.

Just like the tornadoes in that movie leave me in awe. They appear so authentic and petrifying, even when they’re not massive twisters. I yearn for more of those breathtaking sequences. The film could use an additional thrilling tornado scene or two, but one particularly memorable one stands out. This monumental twister occurs at night, leaving me utterly speechless as I watched, unable to draw a breath. The experience felt like being unwillingly dragged into a horror movie I hadn’t intended to watch. Re-watching Twisters on the largest, most booming screen is an experience I crave once more for that heart-stopping moment.

If the conclusion of Twisters had been more well-structured and less sudden, I would have adored it despite its imperfections. As it stood, I genuinely enjoyed it. For a film with high expectations, that’s still quite impressive. Twisters, which made me laugh out loud, cling to the edge of my seat, and fret over the fate of the characters, effectively recaptured the essence of what made the original movie so enjoyable and unforgettable. Furthermore, it managed to create even more realistic and petrifying tornadoes, accompanied by remarkable performances and characters that I grew attached to. It’s not a flawless cinematic experience, but it certainly is an engaging and thrilling one.

Twisters ⭐ (3.2 of 5)

As a seasoned writer for TopMob with a knack for all things pop culture, I’m thrilled to share that Mikey Walsh is gearing up for another round of Twisters re-watching sessions. With a Twitter handle (@burgermike) and Bluesky presence that’s as lively as his writing, keeping up with Mikey’s take on the Targaryen kings is an experience not to be missed. His enthusiasm for storytelling and in-depth analysis is truly captivating, making every tweet a must-read for pop culture enthusiasts like myself.

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2024-07-17 16:32