SNOW WHITE Is More of a Deep Slumber Than a Resounding Success

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Disney’s contemporary live-action adaptation of the timeless story “Snow White” doesn’t significantly enhance the original narrative. It sticks to the key plot points but often feels dull in comparison to other characters. Despite some commendable efforts by the cast to inject emotion, the film frequently slips into flat and awkward performances that can be quite surprising. In fact, certain scenes are so cringe-worthy, they’ll have you laughing in disbelief. As a result, “Snow White” finds itself in an unintended battle for tonal balance. With forgettable songs, lackluster dance sequences, and scarcely any genuine humor, this version of “Snow White” struggles to find its rhythm and hold onto it.

Under the guidance of director Marc Webb and scriptwriter Erin Cressida Wilson, this film, similar to other live-action productions from Disney, aims to reimagine a beloved animated story in a fresh perspective. The leading role is played by Rachel Zegler as the protagonist, who finds herself under the malevolent gaze of her stepmother, portrayed by Gal Gadot as the Evil Queen. Fleeing for safety, she encounters unexpected companionship in a band of dwarves, enchanting creatures of nature, and a crew of thieves, led by the charismatic captain Jonathan, played by Andrew Burnap.

Snow White‘s First Act Has a Rough Start

From the get-go, the film’s difficulties are evident, as it delves excessively into Snow White’s early life story, which seems overly prolonged. Given that there are scenes portraying her family and their connection with their people, this lengthy exposition appears unnecessary. Showing rather than telling is usually more effective. Although the narration becomes clear by the end, there were alternative methods to emphasize a particular point. In other words, the movie Snow White initially struggles, and despite efforts to change direction, it barely stays afloat amidst frequent sinking spells.

Beware the One Rotten Apple in the Bunch

In the casting of Snow White, there are scarcely any missteps. Rachel Zegler and Andrew Burnap deliver commendable performances, showcasing a wide range through their expressive features. However, despite being able to comprehend the film’s dramatic situations, it is challenging to become emotionally invested. Unfortunately, other aspects of Snow White fall short, leaving one to think, “It’s not all that intense,” as they struggle to hold back tears while watching the fight for emotion.

It’s possible that Gal Gadot is not well-suited for the role of the Evil Queen, as her portrayal fails to make the character seem genuinely threatening despite her magical powers. Her performance lacks depth and authenticity, making the audience question the danger she poses. In comparison, Sigourney Weaver could have easily delivered a more menacing performance in this role. Unfortunately, the villain in this new version of Snow White doesn’t create the same sense of tension as its previous iteration, where the villain was significantly more intimidating.

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Snow White‘s Music Goes in One Ear and Out the Other

In the classic live-action adaptation, not many songs seem to make a lasting impression on viewers. Rachel Zegler delivers powerful performances, but the lyrics don’t seem to stick with the audience. There are definitely catchy tunes here and there, but most fail to hold our interest for long. The Evil Queen’s songs stand out, but only because they are rather grating to listen to. Many songs promise a brief moment of excitement, capturing our attention briefly, but then quickly lose steam before they can truly ignite. The only song I recall, or more accurately a line from it, is “Whistle while you work,” which was already well-known prior to this rendition.

Accompanying the music is some of the stiffest, mysterious portrayals of royal wickedness in dance. This queen, however, wouldn’t inspire fear in anyone with common sense. It’s much like watching someone pretending to be fierce when they are essentially a sadistic bully—a Karen. Consequently, it feels more amusing than threatening or terrifying.

The music is paired with some of the most rigid and mysterious efforts at portraying evil royalty in dance. This queen wouldn’t strike fear into anyone sensible. It’s reminiscent of watching someone act fierce when they are nothing more than a pitiful bully—a Karen. As a result, it seems more comical than intimidating or frightening.

The Film Is Too Mature for Kids, Yet Too Hollow for Adults

Frequently, the character interactions and dialogue leave me wondering who exactly this film is intended for. It seems to aim at entertaining both children with its playful antics, but also adults through Doc’s dialogue. Yet, the humor is scarce and inconsistent. I admire the attempt, but it falls short of its mark, leaving me a bit perplexed as to what makes this movie’s comedic attempts unique.

Snow White Looks Okay at a Glance, But Don’t Look Too Hard

From a visual perspective, the animals elicit “awws” while the seven dwarves stand out distinctly. However, the backdrop differs significantly. In certain shots, the more one studies the background, the more discrepancies become apparent.

As a cinephile, I must admit that Snow White carries a powerful message about unity, which is undeniably crucial. However, its execution leaves much to be desired, as numerous flaws and questionable casting decisions overshadow its intended impact. Regrettably, this film falls short of delivering the depth and originality one might expect, often blending into the sea of other Disney productions. Snow White may not be the worst movie out there, but it certainly doesn’t rise above the competition either.

Snow White will hit theaters on March 21.

Snow White ⭐ (2 of 5)

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2025-03-19 22:03