‘Silo’s Steve Zahn Reveals More About Emotional Off-Script Scenes with Rebecca Ferguson

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As a seasoned gamer of sci-fi and dystopian series, I can confidently say that Silo has quickly become one of my favorites. The intriguing plot twists, captivating characters, and top-notch performances are truly a feast for the eyes.

The highly acclaimed American dystopian series titled “Silo” made its debut on Apple TV+ on May 5, 2023. This series is an adaptation of the sci-fi book series by Hugh Howey. As of now, it has completed two seasons, with the second season currently being broadcasted. The first season ran from May 5, 2023, to June 30, 2023, while the second season started on November 15, 2024, and is scheduled to conclude on January 17, 2025.

As a gamer, I’m super excited because both seasons of this epic series have 10 episodes each, which means we’ll have a grand total of 20 episodes when the current season wraps up in January next year! The show is led by none other than Rebecca Ferguson as Juliette Nichols. She’s joined by a stellar main cast and a diverse ensemble of secondary and guest characters, making every episode a thrilling ride!

In the latest round of guest appearances, we find “Steve Zahn’s Solo” making an appearance. His character was unveiled in Episode 3 of Season 2, titled “Solo,” which was aired on November 27, 2024. Steve Zahn has recently shared insights about his role in the series; for more details, be sure to continue reading this article!

If you’ve caught the latest installment of Silo, you might recognize Steve Zahn portraying a character named Solo. There’s a lot we don’t know about this enigmatic figure, and it appears “Solo” could be a pseudonym. However, in an exclusive interview with CBR, Steve Zahn shed some light on his role and hinted at some moving, intriguing scenes with Rebecca Ferguson that are set to unfold in the upcoming episodes. Here’s what he shared:

In a friendly manner, I must say that your portrayal of a man with a childlike mind is exceptional. While the script certainly provides a foundation, I’m curious to know more about your method for delving into Solo’s mental world. How did you prepare for this role?

Steve Zahn: I find it fascinating to portray characters who are vulnerable, as it’s a challenging and lengthy process. In War for the Planet of the Apes, I played a character called Bad Ape, who was quite vulnerable like the apes in general. Characters with such qualities really pique my interest.

Initially, I decided to let my beard and hair grow as a contrast to this relatively young, inexperienced individual. The first day was quite challenging because there’s no gradual entry; you simply jump right in. It’s like taking a big swing, hoping it will work out. In essence, that’s all it amounted to.

In our recent season’s work, you and Rebecca Ferguson were the main collaborators. It’s quite likely that spending so much time together fostered an acting partnership between you two. Can you recall a specific moment on set when you felt this bond between you and Rebecca — representing Juliette and Solo — was going to be successful?

Before the bullets flew and the action started, I was busy getting ready, rehearsing lines, discussing strategies with Rebecca. You see, if you’re not vibing with your co-actor, the job becomes a struggle. Fortunately, Rebecca is an exceptional actress, always well-prepared. We share similar work habits – we both prefer to overprepare so that when it’s time to perform on set, we can just let loose and enjoy the process. That’s the secret behind our collaborations.

As a gamer, I’ve got to say, she’s incredibly intelligent and always has insightful thoughts. And let me tell you, she’s got this uncanny knack for being downright geeky in the best way possible! We’re never short on laughs, that’s for sure.

Have you ever found yourself ad-libbing or improvising on set, for instance, when a line or scene felt more authentic to you than the original script?

In Episode 10, I believe there was a particularly poignant scene. There comes a point when I disclose something, to which she responds, “I don’t require that. I already possess one.” I recall asking, “But why didn’t you utilize the item you had?” We were meant to continue conversing, but we didn’t. The emotions ran high, and we couldn’t meet each other’s gaze because our eyes filled with tears. We remained silent, and that moment of silence is captured in the series.

It was fantastic that we reached a stage where our lines were demonstrated rather than spoken, which is essentially what visual media is all about. The writing was outstanding, and it was simply astounding. Graham Yost, the showrunner of Silo, is truly a legendary figure.

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2024-11-29 21:14