This year’s Met Gala has ignited numerous discussions online, with one focus being on Diljit Dosanjh‘s outfit, said to have been inspired by Maharaja Bhupinder Singh of Patiala, a ruler from the 20th century, as reported.
Dosanjh exuded regal grace, donning an attention-grabbing attire designed by Prabal Gurung on the blue carpet. It was evident that each aspect of his stylish getup was carefully considered.
As a lifestyle connoisseur, I’ve learned that the singer’s stylist, Abhilasha Devnani, aimed to incorporate an iconic piece of history into her wardrobe: the Patiala choker. This historic neckpiece reportedly has a fascinating backstory, as it was commissioned by Maharaja Bhupinder Singh in 1928 from none other than Cartier.
According to reports from The New York Times, Cartier allegedly told Dosanjh’s team that the necklace is securely stored in a museum and cannot be lent out. In response, Devnani worked together with Golecha Jewels to create an impressive replica of the original choker.
Despite several people admiring Dosanjh’s style, others found themselves reminded of the time, in 2022, when Emma Chamberlain – a White YouTuber who was a representative for Cartier – donned the initial necklace at the Met Gala.
Several cultural analysts noted that when Chamberlain donned the historically significant jewelry, it was depicted as Cartier reviving a jewel from the past, emphasizing the company’s heritage and skill. In essence, the Economic Times article suggests that the attention was primarily on the luxury brand rather than the cultural significance of the event.
The article proposed that if Dosanjh, a brown (Punjabi) artist, had donned the necklace, the discussion might have delved into more profound inquiries: What was the reason behind the theft of the necklace? Who was responsible for the theft? And what significance does it hold for an Indian artist to wear it today, not as a fashion trend, but as a sign of rejuvenation?
The article mentioned as well that the necklace had not been spotted since 1946. Following India’s liberation, it inexplicably vanished from the royal vault. Pieces of it reemerged years later in London, were sold off piece by piece at auction, and eventually ended up in Cartier’s possession.
Many online users expressed their opinions about Dosanjh allegedly being forbidden to don a choker at the Met Gala. One user on X posted, “It’s astonishing that they wouldn’t let her wear SOMETHING THAT BELONGED TO US.
A different person expressed, “If Diljit dons this item, it wouldn’t merely be a notable artifact; it would essentially serve as a symbolic reclamation and carry strong political connotations. This could prove beneficial for both Punjabis and Indians, but potentially detrimental to the White community.
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2025-05-07 16:03