Games

Yasha is still trailing behind the rest of the group after they leave Zadash, but she’s gaining on them quickly, and a confrontation seems inevitable. This episode marks her first significant appearance in The Mighty Nein, and it introduces her as a fearsome figure known as “The Orphanmaker”—a reputation signaled by the vultures that follow her. She immediately attacks an outpost of the Dwendalian Empire, swiftly defeating everyone inside, including even the horses. The only person she pauses before killing is a young woman who pleads for her life.

We hope you enjoyed today’s livestream celebrating our 2.5th Anniversary! We weren’t able to share all the details during the show, but we’re happy to announce that detailed information and the pre-order schedule for the special anniversary merchandise are now available.

Our 2.5-year anniversary livestream from Taipei is now over! Thank you to everyone who watched in person or online – your enthusiasm made the show fantastic.

The 2.5th Anniversary update is finally here.

In the upcoming game, players will control Dylan, a character who’s always been more powerful than Jesse, as he ventures into the world after the strange events from the Oldest House spill out. Following the success of both Control and the critically acclaimed Alan Wake 2, Remedy Entertainment is continuing its streak. Resonant seems to be taking a fresh approach, similar to but distinct from the original Control, just like Alan Wake 2, and will likely include more connections to the Remedy universe. According to GamesRadar+, Resonant will shift away from third-person shooting and focus on melee combat within an action RPG format.

Okay, so “Legacy of the Dark Knight” isn’t just Batman – it’s a whole Bat-family affair! You’ll definitely be teaming up with characters like Robin (it seems like Tim Drake is the version they’re going with), Nightwing, and Batgirl, plus the always-intriguing Catwoman. But the villains? They’ve pulled from all the Batman movies! We’re talking the Joker with that Ledger-esque vibe, Mr. Freeze from the Schumacher era, Penguin from Batman Returns, Two-Face from Forever, Bane from The Dark Knight Rises, and even Ra’s al Ghul, looking like he stepped straight out of Batman: The Animated Series – which, let’s be honest, is the best version. They’ve also included characters straight from the comic books, giving you a really diverse roster of heroes and villains.

Phelan describes “Birth + Carnage” as being inspired by the creation of stars, using this process as both a powerful idea and the basis for the dance’s structure. She explains that the piece blurs the boundary between audience and performer, creating a fully immersive experience. It’s not just a performance to watch; it’s a vibrant combination of dance, video, and music that feels like a living thing. Audiences can expect a dynamic and captivating world that’s both intense and original, and truly pulls you into the experience. It sounds like a chance to feel connected to something much larger than ourselves.

The game is set around 30 years after the events of Raccoon City, making Leon Kennedy in his mid-50s – and he’s holding up well! Gameplay will switch between two characters: Grace, whose sections emphasize suspense and investigation, and Leon, who will be more focused on action and fighting. While Leon is a skilled operative, the game aims to show a more vulnerable side of him, as even experienced professionals can feel fear.

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I don’t enjoy stories that tell me how characters should behave. I’m drawn to them—so much so that I write about them—because even fantastical or frightening tales ultimately explore what it means to be human. What truly matters is whether a character’s choices and reasons feel true to their world. But while watching the fifth season of Stranger Things, I briefly lost sight of that. The characters, like Dustin and his friends, have been battling monsters from another dimension for years—a dimension they’ve actually been to! It’s impossible to know how any of us would react if we had real proof that other dimensions exist, so trying to judge their actions based on ‘real-world’ behavior felt wrong.