
By the early 1980s, Meryl Streep was working on bigger, more important films, but she was still incredibly self-critical. During the filming of The French Lieutenant’s Woman, she found it challenging to play a character who was also an actress in a historical story.
Even though she won a BAFTA and a Golden Globe for that performance, she later told Graham Norton she didn’t feel fully immersed in the role. Streep felt disconnected from the character and the story, and she always wished she could revisit and improve her work.
She explained that it’s natural to want to do better after a project is finished, demonstrating that even someone who has won three Academy Awards experiences professional regret. This drive for perfection ultimately influenced her approach when she took on the role of Miranda Priestly in The Devil Wears Prada.