As someone who has been following comic book trends for over two decades, I must say that it’s always exciting to see a publisher like DC making smart moves and taking risks with their imprints. The success of “Absolute Superman” #3 this week is a testament to the fact that fans are hungry for high-quality, engaging stories, regardless of the publisher.
Growing up in the ’90s, I remember the impact that DC’s “Absolute” editions had on me and my peers. They were the ultimate collector’s items, with their oversized format, remastered art, and bonus material. Seeing DC return to this imprint today brings back fond memories of my younger days and fills me with hope for the future of comic books.
It’s also worth noting that the success of “Absolute Superman” #3 doesn’t just benefit Aaron and his team; it helps to legitimize the entire DC Universe and encourages other talented creators to take on new and exciting projects within the publisher. This is a win-win situation for fans, as we get more great stories to enjoy!
Now, if only someone could do something about Marvel’s domination of the charts… I hear they’re still looking for a good Avengers editor… just saying 😉
The ongoing “Absolute Superman” comic book series penned by Jason Aaron mirrors the triumph of DC’s “Absolute” series, having been among the most significant comic book phenomena in 2024 and maintaining its popularity well into 2025.
The series, similar to other works under the “Absolute” imprint, delves into fresh perspectives on familiar characters and tales. Notably, Superman has garnered acclaim, joining Batman and Wonder Woman, as a standout contribution to the mythos overall. Particularly exciting is the arrival of three new titles in March.
In this analysis, we will discuss how the popular comic book storyline of Absolute Superman has influenced the market, even amidst the controversies surrounding its imprint. Interestingly, based on our findings, Absolute Superman continues to sell exceptionally well among fans, making it a top-selling title according to available reports.
The source of the data we have is Bleeding Cool, whose weekly charts are a solid reference because they incorporate numbers from a large number of stores (a full list can be seen at the bottom of the linked article).
Although they aren’t the all-encompassing authority on the subject (since they don’t represent the entire market), their data is significant enough for us to find it useful. That’s why we’re passing it along to you.
| No. | Title | Publisher | Writer | Artist | Price | Ratio |
|---|---|---|---|---|---|---|
| 1 | Absolute Superman #3 | DC | Jason Aaron | Rafa Sandoval | 4.99 | 100 |
| 2 | Deadpool/Wolverine #1 | Marvel | Ben Percy | Joshua Cassara | 4.99 | 88.5 |
| 3 | Ultimates #8 | Marvel | Deniz Camp | Juan Frigeri | 4.99 | 79.1 |
| 4 | Batman #156 | DC | Chip Zdarsky | Tony Daniel | 4.99 | 50.8 |
| 5 | Avengers #22 | Marvel | Jed Mackay | Farid Karami | 3.99 | 43.7 |
| 6 | Sam Wilson: Captain America #1 | Marvel | Greg Pak | Eder Messias | 4.99 | 42.3 |
| 7 | What If…? Galactus Transformed Hulk | Marvel | Mat Groom | Lan Medina | 3.99 | 41.6 |
| 8 | X-Force #7 | Marvel | Geoffrey Thorne | Jim Towe | 3.99 | 36.9 |
| 9 | Cable Love and Chrome #1 | Marvel | David Pepose | Mike Henderson | 4.99 | 36.8 |
| 10 | X-Factor #6 | Marvel | Mark Russell | Bob Quinn | 3.99 | 34.6 |
This week, Marvel is clearly ruling the comic book charts, yet two DC comics managed to break into the top 10. The third issue of Absolute Superman claimed the number one spot, while Batman #156 found itself in fourth position.
It’s fantastic news for Aaron and his series, since DC’s choice to carry on with the development of their Absolute imprint appears to be one of the publisher’s most astute decisions in quite some time!
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2025-01-04 16:44