STRANGER THINGS: THE FIRST SHADOW Brings Incredible Spectacle and Honors the Series

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Initially, when I learned there was going to be a “Stranger Things” play called “Stranger Things: The First Shadow“, I wasn’t quite sure what to anticipate. Given that this play is developed by the showrunners, the Duffer brothers, and is meant to fit into the series’ official storyline, it seemed like a challenging task to expand the canon without confining the narrative within limited parameters. Furthermore, considering a significant portion of “Stranger Things” plot revolves around the ominous Upside Down – a terrifying dimension that intersects with ours – I questioned whether a live-audience play could effectively replicate the enchantment created by hours of intricate visual effects work.

With delight, it’s worth noting that the Broadway production of “Stranger Things: The First Shadow” has taken all the expressed apprehensions into account and transformed them into an extraordinary 2 hours and 45 minutes of visual extravaganza. The narrative is captivating, the characters feel familiar yet distinct from those in the original series, and the stage special effects are nothing short of astonishing. I’ve never witnessed a play that’s as mesmerizing and technologically advanced as this one. On screen, “Stranger Things: The First Shadow” would be spectacular, but live, it reaches truly epic proportions.

Stranger Things: The First Shadow” transports us to a bygone era, swapping the ’80s for 1959. From the get-go, the show intends to envelop its viewers completely in the theater atmosphere. Prior to the curtain’s rise, period music echoes from the speakers, courtesy of our radio station host, Bob “the Brain” Newby. The radio broadcasts ads that resonate with a Stranger Things enthusiast, like one for Henderson’s liquors and another announcing, “Maldonado will straighten you out for your date.” This nostalgic yet fresh tone permeates the entire production.

Let me first emphasize an aspect of this production that caught my attention: the captivating opening scene. The lighting and arrangement of the stage create an immersive experience, making it seem as if we’re watching a colossal military vessel on a giant screen right before us. It’s almost like being part of a TV episode unfolding live. Then, when the unexpected happens and the ship collides with the Upside Down, a monstrous hull suddenly materializes, piercing through the stage. The sight left me speechless. The scale of the set design was impressive, enhanced by dazzling lights, intricate costumes, and even the ominous drifting particles that signify something has gone terribly wrong.

In the continuation of “Stranger Things: The First Shadow“, we find ourselves navigating through two interconnected tales. One delves into Henry Creel’s tragic transformation, while the other focuses on Joyce, Bob, and a young Hopper, whom we must remember not to address as Junior. This split structure effectively sets the stage for a chilling narrative within “Stranger Things: The First Shadow“. It provides a canvas where the series can indulge in its apparent delight for crafting a tale steeped in psychological horror and authentic fear.

In this part of the Stranger Things storyline, Joyce stages a play at Hawkins High and, along with the gang, they try to solve the mystery of why pets are mysteriously dying everywhere. This part has a more cheerful tone, reminiscent of “The Party” episode but not an exact copy. Fans searching for the fun-filled vibe similar to The Goonies, which Stranger Things is famous for, will find it in these scenes.

As a movie enthusiast, conjuring up genuine fear in any medium is no small feat. Crafting an effective scare is one of the toughest tasks in storytelling. Maintaining the crescendo of dread can be daunting, but especially when confined within the parameters of a play, it feels like tackling a colossal task. However, the play Stranger Things: The First Shadow managed to send shivers down my spine, and that’s because every intricate detail coalesced in harmony to deliver terror in real-time.

In two instances, we find light and sound as integral parts. Unexpected, intense orchestration combined with flashing, near disorienting lights would unexpectedly manifest, crafting unsettling scenarios that blurred the line between reality and the characters’ experiences for the audience in Stranger Things: The First Shadow. At times, the performance was further heightened by moments of intense brightness. Moreover, the play skillfully employed shadows, distorting the silhouettes cast into ominous shapes that often bore a chilling resemblance to fully grown Vecna-like figures. (On occasion, these shadows took on such a form.)

In the scenes where Louis McCartney’s character succumbed to the intense pull of the Upside Down, his performance was a blend of civilized and feral, resembling that of an animal under duress. This fierce portrayal starkly contrasted with his ominous, stealthy demeanor in other scenes. To make things even more unsettling were the exceptional special effects in Stranger Things: The First Shadow. In one scene, it appeared as if spider-like limbs sprouted from Henry Creel’s body, stretching grotesquely and causing dread to rise from his form. I’m still puzzled over how they managed to create these effects. Another scene featured a horrifying swarm of spiders crawling across the stage, leaving me wondering about the method behind this terrifying spectacle.

Multiple times, the Upside Down is vividly depicted in all its grim splendor, much like on the show “Stranger Things.” It features revolting, sticky particles swirling through the air, an enraged sky resembling lava, and various creatures such as Demogorgons and a colossal version of the Mind Flayer. By ‘colossal,’ I mean truly massive, so much bigger than your imagination could ever conceive, and then, without warning, appearing from nowhere in its ominous entirety.

Without a doubt, the central aspect that captivates us in the series is the exploration of Henry’s inner turmoil, which raises questions about whether he is solely evil or if external influences have shaped him. We get glimpses of this mystery without excusing his character in Stranger Things. His relationship with Patty Newby, portrayed by Gabrielle Nevaeh, is both enchanting and chilling – almost making us empathize with him. This connection stands out as one of the key relationships within the storyline. It offers a striking contrast to his interactions with Dr. Brenner, played by Alex Breaux; these two characters can be seen as Henry’s angel and devil, providing insight into his complex personality.

The role that Patty plays within the broader Stranger Things universe, along with whether she’ll reappear in Stranger Things 5, remains unclear, although her beauty and emotional depth make a significant impact on the series. On the other hand, Dr. Brenner emerges as the main antagonist, and his cruelty is just as chilling as anything shown during Henry Creel’s solo scenes.

In a surprising and daring move, the play adaptation of “Stranger Things” doesn’t shy away from tackling sensitive topics. Unlike many horror films that tread lightly around pet or animal death due to societal taboos, this production fearlessly portrays such deaths frequently and without regret. This grim element is integral to the narrative and its shock value is undeniable, making it an audacious choice indeed.

In addition to the thrilling events unfolding in Stranger Things: The First Shadow, there are lighthearted moments at Hawkins High that provide a fun contrast. These side stories offer us a glimpse into everyday high school life for our favorite characters. We meet Dustin’s less-than-impressive father, get to know Lucas’ parents, and even encounter Ted Wheeler and Karen Childress. Interestingly, Ted Wheeler is particularly endearing in the Stranger Things play. Fans of the series will remember Alan Munson, Eddie Munson’s father, who turns out to be surprisingly kind despite the rumors about him in Stranger Things 4. These Easter eggs are sure to delight long-time fans.

In essence, the trio’s members are spot-on: Alison Jaye portrays a youthful Joyce Maldonado remarkably similar to Joyce Byers, displaying drama, stubbornness, and unwavering focus. Juan Carlos brings an endearing charm and compassion to his role as Bob Newby, much like his mature counterpart. Lastly, Burke Swanson delivers a grizzled yet tender Hopper, exhibiting the usual grumpiness but with a hint of softness that adds depth to the character.

The “Stranger Things” play delves deeper into the aspirations, yearnings, and driving forces of its characters (many of which unfortunately don’t materialize). It also provides a glimpse into the backgrounds of the adults we recognize today, revealing their transformations. The three main actors share an amazing camaraderie, making them a joy to follow as they navigate their shared journey. As events unfold, we will learn more about how Victor Creel, once known as a mad murderer, came to be that way in the future.

In my opinion as a movie reviewer, if you’re wondering whether the primary characters from “Stranger Things” make an appearance in “Stranger Things: The First Shadow,” aside from the adults and Henry, the answer is affirmative, but it’s only a brief cameo. However, rest assured that the play manages to thrive independently without relying on the main characters of “Stranger Things.” It offers a fresh and captivating tale set in the “Stranger Things” universe, complete with “Chapter” headings and the signature “Watch Credits/Play Next” screen that Netflix is known for.

Tickets for Stranger Things: The First Shadow on Broadway are available for purchase now.

⭐ (4.5 of 5)

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2025-04-23 20:33