SALEM’S LOT Offers Vampire Horror to Sink Your Teeth Into

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As a die-hard horror fan who’s spent countless chilly nights huddled under blankets while watching classics like “Nosferatu” and “Dracula”, I must say that “Salem’s Lot” has truly earned its place among these timeless vampire tales. The film is a thrilling, suspenseful ride that manages to strike the perfect balance between terror and fun.

Much like how a classic vampire tale might have remained undiscovered, the film adaptation of Salem’s Lot by Warner Bros. initially seemed destined to remain unseen. The project was first announced in March 2019, but filming didn’t start until two years later. Originally slated for release in September 2022, then April 2023, and ultimately removed from the theatrical schedule with no new release date, it now appears that the film will debut on Max on October 4. Critics may assume this change in distribution indicates the film’s quality, but they would be mistaken. Salem’s Lot delivers the chills, gore, and thrills expected from a vampire narrative while incorporating fresh elements based on Stephen King’s original novel that will leave you craving more.

The film titled “Salem’s Lot,” helmed by Gary Dauberman from “The Conjuring Universe,” chronicles the tumultuous journey of Ben Mears (Lewis Pullman). A writer, he revisits the tranquil Maine town of Jerusalem’s Lot, a place he called home until age 9. It is 1975, and Mr. Mears seeks inspiration to write a book that will receive more favorable reviews. Upon arrival, he crosses paths with several notable locals in “the Lot.” Ben develops a connection with Susan (Makenzie Leigh), a real estate assistant who longs for escape from her current life. However, her mother Anne (Debra Christofferson) – a lonely and domineering woman – disapproves of Susan’s aspirations to depart.

In the story, young Mark Petrie (Jordan Preston Carter) is a newcomer in town, settling with his mother June (Fedna Jacquet) and father Henry (James Milord). He soon befriends Danny and Ralphie Glick (Nicholas Crovetti and Cade Woodward), who are about to face misfortune. What sets Mark apart is his fearlessness towards school bullies, vampires, monsters, or anything else that might scare children. His fascination with magic hints at a knack for believing in what others often dismiss. Though Ben Mears takes the lead role, it’s Mark who truly shines. This kid sure knows how to make an impression! He would blend seamlessly with the kids from “Vampire vs. The Bronx”. Carter manages to hold his own against established talents like Pullman and Alfre Woodard. His future in any genre promises to be as radiant as a sunrise.

Everyone’s having a relatively good time until things go awry. This is thanks to Kurt Barlow (Alexander Ward) and Richard Straker (Pilou Asbæk), a new European duo who live in the formerly abandoned Marsten House. Interestingly, Barlow & Straker’s Fine Furnishing store seems to only have the latter in the building during the day. Why? Well, Barlow is a vampire and Straker is his human familiar. Ralphie’s disappearance and Danny’s subsequent death send the town into a slow downward spiral. Teacher Matt Burke (Bill Camp), Ben, Sarah, Mark, resident medical expert Dr. Cody (Woodard), and others soon arrive at the same horrifying conclusion. Barlow is a vampire who’s slowly turning the Lot into a deadly haven. (Sidenote: I love it when people quickly buy into the absolutely wild thing that’s clearly happening to them. All of these characters do it well and are so wonderfully imaginative and bold.) 

Salem’s Lot delivers an ideal blend of thrill and enjoyment in a vampire movie, featuring authentic scary scenes that don’t overdo it. It skillfully avoids becoming bogged down by intricate lore explanations, instead focusing on the action. The film includes clever one-liners, unexpected jump scares, and suspenseful moments that aren’t senselessly shocking. If you’re a fan of vampires, you’ll find plenty of them here, and they certainly look menacing. For those seeking intense bloodsucking scenes, this film provides ample action. The characters in Salem’s Lot are well-developed, and the dialogue is sharp and humorous. Fortunately, the movie’s runtime of nearly two hours avoids the common horror pitfall of a sagging or padded plot. The buildup is well-paced, not rushed, and when the story reaches its main action, it’s time to buckle up for an exhilarating ride.

Many viewers are likely to find several dramatic scenes particularly impactful, due to skillful direction by Dauberman and Michael Burgess, and captivating cinematography. The portrayal of Ralphie’s abduction and demise, partially seen from his terrified point of view, is both unsettling and engrossing. The picturesque backdrop gradually transforms with each passing day, creating an eerie atmosphere where piles of newspapers accumulate on lawns and full bottles of milk collect on porches. Death and a heavy silence permeate the air. A striking image emerges at one point: a stake through a vampire’s heart with a sign that reads “The Show Starts at Sundown.” This scene is truly a masterpiece.

It’s quite a pity that I couldn’t watch this movie on the cinema screen, but there’s something about it being released for home viewing that reminds me of its classic horror roots. “Salem’s Lot” already boasts a devoted audience, and with its release, it seems poised to attract new fans, potentially becoming a cherished seasonal favorite.

The story delves into the themes of small towns, their hidden truths, and the powerful hold they have on their residents, which is often overlooked by larger societies. The role of outsiders as both threats and potential saviors to a town’s established order is skillfully portrayed. The tight grip that prevents someone from escaping is palpable throughout the narrative, particularly in the context of several character deaths. One such death involves a character who comes close to breaking free, only to meet a violent end. I find this aspect rather unsettling.

The action wasn’t irrational, but considering the absence of diversity in the situation, it creates an unpleasant image that diminishes the impact of the third act. It seems like a sacrifice was made.

Some traditional readers may take issue with the artistic license used in this adaptation, but those unfamiliar with the original story or who approach Salem’s Lot as a standalone work are likely to appreciate its inventiveness and self-referential qualities.

Despite the common belief, “Salem’s Lot” is quite enjoyable, in fact. Not every horror movie (or any genre) needs to be groundbreaking or culture-shifting all the time. Sometimes, it’s enough for a story to be entertaining and have qualities that make you want to watch it again. If that’s what you seek, turn on your screen and prepare to stream “Salem’s Lot” starting October 4.

Salem’s Lot ⭐ (4 of 5)

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2024-09-26 07:02