
Big-budget movies often attempt to include important themes or address social issues. Viewers generally respond well when these messages feel like a natural part of the story and characters. However, if a movie feels preachy or like it’s trying too hard to deliver a message instead of being entertaining, it often doesn’t do well at the box office. The films discussed next faced financial or critical difficulties because their message became more prominent than the movie itself.
‘The Marvels’ (2023)

The movie didn’t resonate with audiences because it felt like it was pushing a message rather than telling a good story. Reviewers noted the script spent more time on team relationships than on building compelling villains or a solid plot. This uneven approach disappointed fans who were used to a more serious tone in previous films. Ultimately, the movie’s lack of connection with viewers led to the studio’s lowest box office numbers in a long time as interest faded.
‘Charlie’s Angels’ (2019)

Okay, so I was really intrigued by the marketing for this reboot – it went hard on the feminist angle, which I appreciated, but it felt a little… divisive. They basically told guys this wasn’t a movie for them, and honestly, I think that hurt it at the box office. When I finally saw it, I got what people were saying about the male characters – they were either total bad guys or just played for laughs, and there wasn’t much in between. The action was fine, but it couldn’t save a story that felt more focused on making a point than on actually being fun to watch. It just didn’t quite deliver the entertainment I was hoping for.
‘Ghostbusters’ (2016)

Even before its release, the new installment in this beloved comedy series became a focus of heated online arguments. The filmmakers and studio clashed with fans who criticized the decision to disregard the established storyline. The movie even included jokes that directly targeted these online critics, using a clumsy technique that pulled viewers out of the experience. This approach turned off longtime fans and ultimately led to the film performing poorly at the box office.
‘Terminator: Dark Fate’ (2019)

This new installment dramatically changed the established story by unexpectedly killing off John Connor early on. Instead of continuing the saga of the original hero, the film introduced a new protagonist and pushed Connor into a secondary role. Many dedicated fans felt the movie dismissed their connection to the previous films, essentially telling them their enjoyment was misplaced. This disregard for the existing story ultimately led to poor performance at the box office worldwide.
‘Strange World’ (2022)

As a huge animation fan, I was really intrigued by Disney’s latest sci-fi offering, but honestly, it didn’t quite work for me – or a lot of other people, it seems. They tried so hard to pack in important messages about the environment and society, but it felt more like being lectured than getting lost in a fun, imaginative story. The storytelling was just too on-the-nose; it didn’t let the emotional moments really hit home. Sadly, it turned out to be a major flop for the studio, and you can see why – it just didn’t deliver that escapism we all crave.
‘Lightyear’ (2022)

Pixar’s recent spinoff disappointed many viewers by taking a dark and overly serious approach, losing the lighthearted fun of the original ‘Toy Story’ films. The story focused on a much more serious side of the character, and lacked the humor fans expected. Public discussion was largely dominated by debates about the film’s social themes, which took attention away from the movie itself. Ultimately, the film didn’t resonate with families and proved to be a significant financial loss for Pixar.
‘Indiana Jones and the Dial of Destiny’ (2023)

The latest film in the iconic series showed a very different Indiana Jones – a flawed and disheartened hero constantly advised by his goddaughter. Fans didn’t respond well to this version of the character, finding it disappointing to see a once-great adventurer so broken and needing guidance from someone younger. The movie spent too much time comparing the character’s glory days to his current state, which many felt undermined his history. Despite a large budget, the film failed to earn back its costs due to negative reviews and word-of-mouth.
‘The Matrix Resurrections’ (2021)

Lana Wachowski’s fourth ‘Matrix’ film was less about continuing the story and more about examining why sequels happen in the first place, and how companies often drive those decisions. A large portion of the movie focused on its own existence, which many fans found preachy and felt like a criticism of their desire for a new installment. Ultimately, the film proved divisive and didn’t resonate with audiences in the same way as the original trilogy.
‘Tomorrowland’ (2015)

Despite a large budget and intentions to uplift audiences, this science fiction movie surprisingly seemed to scold viewers for the problems facing the world. The villain spends a significant amount of time lecturing humanity for passively accepting a bleak future instead of trying to improve things. Many viewers felt this lecturing approach clashed with the exciting adventure the trailers had advertised. Ultimately, this confusing message led to a major financial loss for Disney.
‘Downsizing’ (2017)

The movie was advertised as a lighthearted comedy about shrinking people as a cost-saving measure. However, the actual film turned out to be a serious and depressing drama focused on climate change and the gap between rich and poor, with very little humor. Viewers felt tricked by the promotional trailers and weren’t expecting such a bleak and preachy message about the environment. As a result, the film received a very low score from audience polls and was a complete box office failure.
‘Dark Phoenix’ (2019)

The last X-Men movie from Fox attempted to address contemporary issues around gender, but a particular line of dialogue questioning the team’s name was widely criticized. The film also faced significant problems with reshoots, which confused the story and weakened its emotional impact. Ultimately, it was the lowest-performing film in the entire series, ending the franchise on a disappointing note.
‘The 355’ (2022)

This action-thriller aimed to offer a different perspective from typical male-led spy films. However, it leaned too much on familiar tropes and repeatedly emphasized the characters’ gender. Reviewers pointed out that the movie focused so much on making a statement about female strength that it lost sight of being truly engaging. This lack of fresh ideas resulted in poor attendance and a swift departure from box office success.
‘Birds of Prey’ (2020)

The movie’s marketing heavily emphasized its themes of freedom and the absence of male characters. Its R-rating likely kept some viewers away, and the film’s style jumped between intense violence and slapstick humor. Many mainstream movie fans found the film too specialized and its message too forceful. As a result, it didn’t perform as well as other movies within the same series.
‘Wonder Woman 1984’ (2020)

The follow-up to the first, very popular movie moved away from its war-time setting and focused instead on themes of greed and honesty. The movie ended with the hero giving a speech to the entire world, urging everyone to be moral. However, audiences felt this ending was disappointing and the preachy message came across as condescending, especially when compared to the exciting action of the original. Critics disliked the film, and it wasn’t nearly as successful as the first one.
‘Eternals’ (2021)

Okay, so Marvel really tried something different with this one. It wasn’t your typical action movie; they went for a much more thoughtful, almost philosophical story about these immortal characters. Honestly, it spent a lot of time with them just talking – debating whether they should even get involved in human affairs and what it even means to be human. But, and I say this as a fan, it felt…slow. The characters didn’t really feel like people I could connect with, more like they were just there to represent ideas. It ended up being one of the first Marvel movies to get really bad reviews, which was a surprise!
‘Wish’ (2023)

As a long-time Disney fan, I was really excited for this movie, especially since it was meant to mark the studio’s 100th anniversary. But honestly, it just didn’t quite work for me. It felt like too many people had a hand in it, and the story, with the villain trying to control everyone’s dreams, felt a bit heavy-handed. People weren’t connecting with the message, and the songs just didn’t have that classic Disney sparkle. Sadly, it didn’t do well in theaters and didn’t become the big celebration Disney was hoping for – it was a bit of a disappointment, to be honest.
‘Robin Hood’ (2018)

This recent adaptation of the classic story aimed to use the tale as a dark commentary on current political issues. However, the film’s old-fashioned costumes and speech didn’t quite fit with its attempts to connect to modern problems like protests and the gap between rich and poor. Audiences didn’t respond well to the shift from a fun, action-packed adventure to a heavy-handed political message, and the movie was a major financial failure, receiving overwhelmingly negative reviews.
‘Solo: A Star Wars Story’ (2018)

After the mixed reaction to the last film, this new movie struggled to find an audience. It tried to reimagine Han Solo’s beginnings, but storylines about droid rights felt irrelevant to the main story. Many viewers felt the movie was simply going through the motions instead of telling a compelling story about the iconic character. Ultimately, poor ticket sales led the studio to reconsider its plans for future releases.
‘Men in Black: International’ (2019)

Despite a strong connection between the lead actors, the movie suffered from a weak script that seemed more focused on being current than telling a good story. Critics found jokes about the organization’s name unoriginal and stale. The storyline wasn’t very engaging, and it expected viewers to agree with its message instead of simply enjoying the sci-fi comedy. Ultimately, it’s the worst-performing film in the entire series, both in terms of reviews and box office numbers.
‘Alice Through the Looking Glass’ (2016)

The follow-up to the hugely successful first film traded the original’s playful spirit for a predictable time-travel story centered on the heroine proving her value. A significant portion of the movie involved her trying to convince doubting male characters, which became tiresome for viewers. While the first film explored the fascinating world of Victorian England, this sequel prioritized a fantastical setting that felt underdeveloped. Consequently, the film earned considerably less money than its predecessor, making less than a third of the original’s box office revenue.
‘West Side Story’ (2021)

Steven Spielberg’s remake of the classic musical prioritized historical correctness and cultural awareness. While aiming to honor the Spanish language by omitting subtitles during Spanish conversations, this choice unintentionally confused some English-speaking audience members. Despite positive reviews, the film didn’t perform well at the box office, suggesting that efforts to improve upon the 1961 version didn’t resonate with a wide audience.
‘Bros’ (2022)

The marketing for this romantic comedy heavily emphasized that it was a rare LGBTQ+ film from a major studio. However, the film didn’t do well on its opening weekend, and the star and writer responded by criticizing the audience. Many viewers felt the movie was promoted as something they should support, rather than a lighthearted comedy they could simply enjoy. This defensive reaction to the film’s reception likely discouraged even more people from seeing it.
‘Amsterdam’ (2022)

This lavish historical drama tried to connect a political scheme from the 1930s to current American politics, but it ended up feeling complicated and preachy. Viewers found the film’s tone uneven and its length excessive. Despite a huge budget, the movie flopped at the box office and became a significant financial loss.
‘The Day the Earth Stood Still’ (2008)

This remake stars Keanu Reeves as an alien who tries to warn people about the damage we’re doing to the environment. Unlike the original film, which focused on Cold War fears, this version heavily emphasizes an ecological message. However, viewers found the main character unfeeling and the film’s preachy tone boring instead of captivating. Without much excitement, the impressive special effects didn’t feel meaningful.
‘Babylon’ (2022)

The movie is a three-hour long look at both the problems and the wonders of filmmaking. Many viewers felt the director was overly critical, lecturing them about the downsides of fame and the scandalous side of old Hollywood. Its fast-paced, disorganized style left many feeling drained, and ultimately, the film was a highly publicized failure that didn’t connect with most audiences.
Please share your thoughts on which of these films deserved a better reception in the comments.
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2025-11-29 05:21