Warner Bros. Makes Hollywood History With 7 Straight Films Opening Above $40M

Between spring and early fall in the year 2025, Warner Bros. consistently delivered a series of films that spanned various genres and catered to diverse audiences. Remarkably, each of these seven successive cinema releases opened with earnings over $40 million at the domestic box office, setting the same impressive milestone every time. This streak was fueled by a combination of popular franchises, innovative newcomers, and high-quality format presentations.

The movies came out via the studio’s primary label and its New Line brand, with strategic partnerships boosting their impact when necessary. A video game-based movie attracted families, horror movies maintained a strong presence over weekends, and a high-profile superhero reboot drew one of the year’s largest audiences. Here is the list of seven films, arranged from the smallest to the largest domestic opening weekend earnings:

1. Film with the lowest domestic opening weekend earnings
2. …
3. …
4. …
5. …
6. …
7. Film with the highest domestic opening weekend earnings

‘Weapons’ (2025)

The movie earned an impressive $43.5 million in its domestic debut, adding to the studio’s continued success throughout the late summer season. Widely distributed across multiple cinemas, it resonated particularly well with horror enthusiasts, recording strong attendance on its opening weekend.

Under the Warner Bros. flag, the film was distributed by New Line Cinema, further solidifying their lineup with a dependable genre title. A robust preview audience and high-quality screenings propelled its initial release past the benchmark that characterized this successful run.

‘Sinners’ (2025)

As a cinephile eager to share my thoughts, let me delve into the captivating world of a fresh, nerve-wracking thriller that made quite an entrance with a staggering $48 million domestic opening. This impressive debut indicated a substantial appetite among moviegoers for non-franchise films, proving that there’s more to Hollywood than just sequels and reboots. Interestingly enough, the film premiered during a time when other studio releases were still captivating audiences, ensuring that this thriller had several movies battling it out simultaneously on the marquee.

The established release strategy fostered a steady flow of viewers on weekdays, following a strong debut on Sunday, particularly in major cities with high-end cinemas. This additional data point further validated the studio’s scheduling strategy during the spring movie season.

‘Final Destination Bloodlines’ (2025)

The franchise’s return was marked by a strong domestic box office debut of $51.6 million, indicating high audience interest. Fans familiar with the brand and those seeking an immersive fright experience on high-end screens found connection with the film.

This beginning synced well with an intense advertising campaign from the franchise, focusing on captivating visual effects and massive crowd responses. The presentation underscored the ability of established horror franchises to thrive during early summer seasons and generate impressive opening weekend numbers.

‘F1 The Movie’ (2025)

The racing movie had an impressive start, earning $57 million in its initial release within the U.S. The promotional strategy focused on providing authentic motorsport experiences and behind-the-scenes photos, emphasizing the film’s grandeur and celebrity appeal.

In collaboration with Apple Original Films, Warner Bros. managed the movie’s theatrical distribution, ensuring it was showcased not only on regular screens but also in high-end cinemas dedicated to premium viewing experiences. This strategic approach attracted both casual moviegoers and enthusiasts of racing, leading to a substantial box office success during its opening weekend.

‘The Conjuring: Last Rites’ (2025)

In simpler terms, this new addition to the Conjuring Universe earned $83 million domestically upon release, marking yet another powerful box office boost for the studio during the late summer season. Prior to its debut, the brand’s rich history of interconnected lore and recurring characters generated widespread recognition, leading to increased anticipation among audiences.

In simpler terms, it seems that New Line’s horror movies continue to perform well during their initial release weeks, drawing in a lot of audience even on the opening day. This success helps maintain the studio’s momentum and adds another hit horror movie to its annual lineup.

‘Superman’ (2025)

During its initial nationwide debut, the DC relaunch achieved an impressive opening weekend gross of $125 million within the U.S. market. The launch strategy showcased the fresh creative approach and established the movie as a key foundation for upcoming installments in the series.

Improved quality formats and broad accessibility across multiple locations led to higher average performances per cinema until Saturday, setting a solid foundation for July’s box office. This robust beginning also established a consistent position atop the charts for the movie lineup throughout this period.

‘A Minecraft Movie’ (2025)

In simple terms, the movie version of the video game stormed ahead by earning an impressive $162 million during its first week in U.S. cinemas, attracting both families and gaming enthusiasts. The imaginative setting and familiar brand name fueled strong pre-sales and long queues on Saturday.

By targeting a wide audience using a four-part strategy, we scheduled luxurious, spacious screenings at optimal times over the weekends, which significantly boosted our capacity. This approach set an impressive standard for the film’s performance initially and sustained the momentum throughout its run across various seasons.

2025-09-12 23:45