As a horror film enthusiast with a soft spot for independent productions, I’ve had the pleasure of discovering some truly unique and unnerving gems hailing from South Africa. Having lived in this vibrant and diverse country for most of my life, I’ve come to appreciate its rich cultural tapestry and the darker corners it weaves into its storytelling.
South Africa is just beginning to explore its potential in the horror genre, as we grapple with the understanding that if we don’t embrace found footage, horror comedy, or avoid labeling the “vertically-challenged water spirit” as the tokoloshe, we might never produce a distinctly terrifying horror film based on this folklore creature.
Over the past five years, our local film industry has seen a surge in creativity, particularly in the horror genre. This burst of imagination can be attributed in part to our country’s fascination with the frightening and the global resurgence of horror movies spearheaded by talented directors like Ari Aster, Jordan Peele, and Robert Eggers. As a result, we are now producing some of the best and most original horror films yet.
In our horror films, we often create an eerie atmosphere with imaginative ideas and visually stunning scenes, amplified by intense acting, impressive special effects, and catchy soundtracks. However, it seems challenging to strike the ideal blend between character development, pacing, and plot progression. This issue isn’t exclusive to horror films, as the genre frequently favors style over substance. Nevertheless, addressing this challenge in the pre-production phase is likely the most effective solution. Hurrying into production without thoroughly examining and enhancing scripts may result in convoluted horror stories. Although we haven’t seen a South African horror film that excels in all areas yet, here are seven impressive local horrors to explore.
Glasshouse (2021)
Despite being somewhat leisurely at times, “Glasshouse” manages to captivate audiences with its intriguing concept, eerie atmosphere, and meticulously built world. This sci-fi horror production in the confined setting defies conventional wisdom, brimming with profound themes and a distinct cultural identity. Though similarities can be drawn to other films, given its limited budget and initial production, it’s astonishing to see emerging acting talents and dedicated filmmakers bring their clear vision and immense passion to life on screen.
‘Glasshouse’ Movie Review
Pou (2022)
“Pou” is a compelling horror film with an understated yet chilling appeal. The movie showcases stunning visuals and an unsettling ambiance, perfectly complementing the narrative. With impressive acting and a solid grasp of the genre, this film displays moments of true genius where every element harmoniously aligns. Although director Minnaar is still refining his unique style, “Pou” offers a tantalizing glimpse into the potential greatness of its gifted ensemble.
‘Pou’ Movie Review
Griekwastad (2019)
As a devoted cinephile, I’d describe it this way: In the small-town tale based on real events, Griekwastad, I found myself drawn into its ominous and raw vibe. The atmosphere bore resemblance to gritty LAPD crime dramas like End of Watch, with shaky handheld cameras that blurred lines between reality and fiction, instilling a palpable sense of unease. Delving deeper into the genre of mystery and suspense, Griekwastad introduced elements of horror and an engrossing industrial soundtrack, all while showcasing a talented ensemble led by Arnold Vosloo. Though it occasionally wavered tonally, its intriguing cat-and-mouse game was enough to keep me hooked.
‘Griekwastad’ Movie Review
Fried Barry (2020)
In simpler terms, the film “Fried Barry” is a daring and unconventional sci-fi horror thriller that stands out due to its unique style and independent spirit. While it may not be overtly likable, it deserves recognition for its truly original vision and impressive technical execution. Director Ryan Kruger pushes boundaries with some risky scenes, drawing on his dark imagination and music video background. “Fried Barry” is an effective showcase of Kruger’s talent and a promising debut for Gary Green. It’s a well-crafted and accomplished production that appeals to a niche audience and highlights the team’s creativity and resourcefulness.
‘Fried Barry’ Movie Review
Gaia (2021)
In my perspective as a movie reviewer, the fantasy horror drama “Gaia” initially feels like a fusion of “Deliverance” and “Predator.” I join rangers on a routine upstream mission, expecting an ordinary day. But as we progress, we stumble upon a secretive cult of woodland survivalists.
‘Gaia’ Movie Review
Siembamba (2017)
The movie “Siembamba,” also known as “The Lullaby,”, is a chilling psychological horror thriller directed by experienced filmmaker Darryl Roodt. Reine Swart delivers a powerful and eerie performance as the young protagonist grappling with postpartum depression. This title draws inspiration from an old Afrikaans folk song.
As a seasoned film critic with a deep appreciation for the horror genre, I’ve seen my fair share of chilling and unsettling movies. But this dark, ghastly, twisted and stylish production left me utterly speechless. Its haunting images and nightmarish scenarios reminded me of masterpieces like “Black Swan” and “Sinister.”
The Soul Collector (2019)
As a movie lover, I’d describe “The Soul Collector,” also known as “8,” as a unique blend of artistry and entertainment. It boasts rich layers of thought-provoking storyline, while keeping things visually appealing and enjoyable. I find it both sophisticated and earnest in its approach to the horror genre. However, despite its intriguing ensemble mystery drama elements, the script feels unsteady at times, and the character development could use more attention.
‘The Soul Collector’ Movie Review
As a movie reviewer who’s always on the lookout for hidden gems, I’ve come across a number of South African horror films that have flown under the radar. Here are some of my favorites, told from my personal perspective:
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2024-07-27 11:03